New 10 week Introduction to Chado class

chawanIntroduction to Chado Class
Starts on Wednesday, July13 7:00-8:30 pm

Students will learn the etiquette of how to be a guest at a tea ceremony, the basic order of the tea ceremony and how to whisk green powdered matcha ceremonial tea. Students will also participate in 6 Japanese tea ceremonies from informal to semi-formal tea gatherings. An overview of Japanese aesthetics and how the tea ceremony has influenced Japanese culture will be presented. Students will also be introduced to tea ceramics, calligraphy, kimono dressing, and incense ceremony. They will also be introduced to zazen meditation and discuss how to put tea practice into every day life.

Register early, places are limited. $50 deposit will hold your spot. Use the PayPal button at the right. Balance due at the first class.

Fee: $250, includes all materials, tea and sweets for 10 weeks

Location: The Jasmine Pearl Darjeeling room, 724 NE 22nd Ave., Portland, OR 97232

For more information contact Marjorie Yap, Instructor

Phone: 503.645.7058, Email: margie at issoantea dot com

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Early June update – Midorikai interlude

June 3- Kaiseki cooking class

We had a one-star michelin chef named Yamamoto Masanu of Sanyukyo come to teach us kaiseki cooking. We learned how to make rice in the old-style typical rice pot, daishi broth, miso and about five or so other things. This time he cooked and spoke while we watched and frantically scribbled notes and pictures to try and remember as much as we could. For westerners who have never eaten kaiseki before, I might describe it roughly as tapas quantity of food on your plate but with consideration of balance of flavors and appearance. The food should be attractive and taste great but may be just a few bites for each guest. However, there are many courses.
Mr. Yamamoto Masanu at our cooking class

Mr. Yamamoto Masanu at our cooking class

A kaiseki meal in terms of the tea world means just giving your guests a full enough stomach so when they enjoy the thick tea that follows the meal, they have something in their bellies so their tummy doesn’t get upset from the rich taste of the tea.

Coming up at the end of the month, our sempai will be putting on a full-scale chaji at a tea house. A chaji lasts for about four hours and is, I would say, the longest of the events that we do in the tea world. They tend to require a lot of knowledge from both host and guests and can be quite expensive as you need a lot of unique serving utensils, friends to cook in the kitchen while you serve your guests, and knowledge of seasonal food to make it happen.
Very few people outside of Japan have experienced these before and it’s difficult to learn from a book. That’s not to say that foreigners aren’t incredibly successful at putting on chaji, however, I am appreciative that I will be learning from the source, so to speak. I will be tsume, the last guest, and I have some tasks that I will need to do. I’m very excited to participate in one, as we will be doing our own for our kohai in the winter. We also will have a chance to rehearse our parts, which will be helpful. It’s nice to know what to do at any type of party! More on this event at the end of June!

June 6- Kenniniji Kenchashiki

We were invited by Daisosho-sama to attend the 802nd memorial at Kenninji temple for the founder, Yosai Zenji (1141-1215). Yosai (also known as Eisai) is a monk credited with bringing tea to Japan after visiting China. He also brought with him tea plant seedlings, which allowed for Japan to begin cultivating it’s own tea. It was fascinating, but I began to nod off after about the first hour of the monks chanting. Every time they would ring a gong or bell, people would sort of sit up straighter and then, after about five minutes, begin to slump again. Luckily for us, they had chairs to sit in. I have heard that they used to make people sit seiza on the tile floor, and that sure would have made it impossible to sleep! Sometimes, no matter how hard you try, it’s hard to not fall asleep when it’s dark and warm and there is incense! Even if it happens to be really interesting.

Kenninji Temple from the outside

Kenninji Temple from the outside

In front of the earliest recorded tea garden (more like a patch) in Japan.

In front of the earliest recorded tea garden (more like a patch) in Japan.

June 9 – Omi Jingu Kenchashiki

Unlike the Kenninji offering (Buddhist), Omi Jingu is a Shinto shrine. Daisosho-sama also invited us to this event. During the reign of Emperor Tenji (661-671), a water clock which told the time with a drum or bell was placed in the Imperial Court for the first time. (Note: I’m unsure when the first clock was invented, however, this is the first time it appears in Japan’s recorded history) Thus it is called Time Day to make people aware of the importance of time. It’s interesting because time can have many meanings to a person, like it’s important to be on time, to be aware of our time here, how time seems to move fast or slow, etc. The concept of wanting to measure and quantify something like time is actually pretty human, when you think about it. It helps our world make sense and things start fitting nicely into little compartments in our heads. Like it’s noon now so I eat lunch, or it’s X’oclock so I should prepare for bed. That can be very comforting in building routine as well as communicating with others.
The fire drill practicing with the fire extinguisher

The fire drill practicing with the fire extinguisher

Inspirational words from these two weeks:

We had a lecture by both Daisosho-sama (age 93, retired grand tea master) and O’iemoto-sama (age 60 this June, current grand tea master). I’m so lucky to hear them speak and to learn from them. Here were some words that I frantically scribbled down that I want to share with you. These are recorded as my paraphrase of their 90 minute lectures. Note: The ideas I recorded seem disjointed, however, I tried to record the phrases that resonated most to me.

Daisosho-sama lecture:

There is so much around you that you can’t see. You are constantly being protected by that which you can’t see: spirits, the kindness of others, your ancestors. Please have an awareness that we are alive by the kindness of others. You have been given life, and so be thankful. Try to make yourself a better person every day. In the act of purifying yourself, those around you will be purified. Once we are born, we are all fated to suffer. We all have problems that we will have to figure out. We question why we are here and who we are. We should never compare ourselves to others or make ourselves feel inferior. You must walk your own way, even if you can’t see the path.

Open the eyes of your heart in order to really see things. When I walk in the dark, I may start by bumping into walls, but gradually I get used to it and can see. Humans are like this. Even when it’s bright people still can’t see what’s right there, what’s around us. Offer things to that which you can not see. Even if you have just one mouthful of food, offer it freely to be split with others. As long as the roof doesn’t leak and you have enough to satiate your hunger, you will be okay.

When I sit zazen, I follow it with chanting sutra and a prayer to the gods. Maybe that is why I live so long and with enough energy. Don’t do bad things, do good things. If you follow that, you will be okay. We all collect impurities. Every day, clean them, remove them, brush them away. If you can, you can open yourself, open your heart so that you can truly see. I don’t know what tomorrow will bring, but remember what I’ve said.

Nusa marking a sacred tree.

Nusa marking a sacred tree.

O’iemoto-sama lecture:

Don’t always look at the weather with judgement. For example by saying it rains too much or it’s too humid. Then you will only leave your room for 10 days out of every year. If you look only for the bad then you will always find it. After it rains and obscures the mountains, they are even more beautiful when the mist lifts. It becomes difficult to have these moments of clarity, so you must train at it every day. It’s like in baseball. If your team is losing at you are up to bat, don’t just let the ball pass without swinging. Something could happen if you just swing. Those who just see a loss and don’t try at that point, they miss an opportunity to learn. People will know that you are the kind of person that cares enough to try.

My amazing story for you:

During the daily morning chorei, we were chanting the heart sutra in Japanese. A little bird, most likely a skylark, sat on a branch right out in front of the window and sang and sang while we chanted. When we finished, it flew away. I can’t explain to you how amazing and inspiring it was to have this little bird perched so close to us that it was practically in the room, and hearing it sing and sing, blending with the sound of our voices. Overtaking us at some points and being overtaken. Such a small thing brought me such pure joy and astonishment.

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End of May — a Midorikai interlude

May 19

We had our first chashaku carving practicum today. The guy who taught it made it look so easy. We got out our blades and began slowly shaving away small pieces of the bamboo strips to make the bent tea scoop that we use when we lift tea from the tea container and put it in the tea bowl. It’s basically a wooden scoop or spoon just for tea. These items are always made by hand and you can tell a lot about a person based on how this utensil is formed. Is it narrow or thick? Is it rough or smooth? Is it too long to be useful? Is it well-balanced? Did the person make long, confident strokes with their blade or short, hesitant ones?

IMG_4458I’m attaching a picture of mine. It ended up being way to thin and too short, but I was proud of it all the same. This chashaku will be exchanged via an Urasenke school program with a tea group in Fukushima. We will be receiving one back from them as well. I did writing on the tube myself which says the name of the scoop and my name. As you know Fukushima had the terrible earthquake and issues with the nuclear plant, so any chashaku I get back from there will have a deeper meaning attached to it that I can think about every time I use it. (And no, it won’t be radioactive, our teachers told us this already.)

Every chashaku is always given a name by the person who carved it. This one I called “Ame o tanoshimu,” or literally, enjoying the rain. I selected this gomei (poetic name) because, to me, it is a good example of how rain is a symbol of cleansing and purifying both literally and metaphorically. I also said that it rains a lot where I come from in America. This was written in an explanation letter which will be translated and sent along with the chashaku tube. I hope someone is able to use it and enjoy it!

May 25

We had O’iemoto’s monthly lecture / address to the school. In these situations, we show up to school in our best kimonos and wear the little earbuds that have a translator telling us what he is saying. It made me feel like I was in the United Nations! It’s pretty cool. As I reread some of the notes I took in my pocket moleskin, I see that he mentioned some great things to keep in mind for anyone let alone “tea people:”

He said that when things become too complex, return to your base: take a moment to notice the feeling in the air, the space around you, the conditions all around. When the wind blows you over, don’t make excuses for the wind. Just try, try. Then it was a mistake you didn’t have to make. Failures, mistakes lead to success. Recover from them. You can see you have more to learn and can grow even more. Then you won’t have regrets. Throw away the thoughts in yourself, your personal feelings about things that bother you. Take the animosity, the pride and throw it away.

He also said to consider all that has come before to lead to this one moment. For example, consider when you drink water to think about the snow melting in to water, flowing down the mountain to the river, leading to the reservoir, going around and around and finally ending up in our bodies. Or the seed that grows in to a plant which bears fruit which winds up on our table and sustains our lives. Or, in the tea room with guests, all of the ancestors who came before both you and your guests who brought you to this one shared moment in time which will never come again. Take value in every moment, in every minute.  …wow… I’m not learning about “just tea” here. I’m learning about how to live a beautiful, reflective, life of gratitude.

May 26 – First Student Chakai

We had our first Keiko Chakai of our sempai, Anna. She did a remarkable job with all the preparations and all of the guests (there were 7 of us) had a wonderful time. A chakai is like a party that is similar to something (in Western culture) that Martha Stewart would create: it has every detail planned out from the invitations to the decorations to the food. However, unlike western culture, a chakai has spiritual goals as well. It is trying to create harmony between guests.

The details that the host has prepared are supposed to make the people in the room feel special but without saying anything explicit. An example of this, is that our first guest is from Hawaii, and our host selected a natsume (tea container) with a hibiscus flower on the top. She noticed and thanked the host for being so thoughtful in selecting this particular item. There are thousands upon thousands of things the host could have picked from, and yet, she selected this one tiny thing because she knew it would bring her guest pleasure.

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Our lovely host was wearing a beautiful obi she borrowed with matryoshka dolls on it, a nice nod to her heritage and the shared heritage of one of her other guests.

I experienced this feeling my first time coming to Urasenke with Kevin for a short visit and in my letter asking for permission to come, I mentioned that in Portland the daffodils had just started to bloom. When I came to Japan about 6 weeks later, the tea bowl that I received my delicious tea in had daffodils on it. Was it a coincidence to serve me that bowl? Absolutely not. They had made a note, somewhere way back when, that daffodils were blooming in Oregon and that bowl was served to me. It was a small gesture. It didn’t cost them anything, so to speak. And yet that gesture spoke droves to me. The key thing, the thing that makes it unique to this culture, is that after I had drunk my tea and returned that bowl, the host DID NOT come in and say “did you notice what was on the bowl?” That would have been the western thing to do. The host just lets it go unsaid and the guest may make an observation about it. Sometimes your guests might not even notice that you made the gesture in the first place. But the key is that you know. And that’s something that’s intuitive, it really can’t be taught. IMG_4504

Our teacher Hamana-sensei told us this story about how thoughtfulness can’t be taught but it can be observed and absorbed by others. His example was that he started to cough in lecture and a student got up and got him a glass of water. However, it was winter time and the water wasn’t just tap water. It was warm tea drinking temperature, so it was soothing to someone with a sore throat. He didn’t tell this as an example to shame us in to not paying attention to the needs of our teachers, but rather as an example of something to emulate. It cost nothing for that student to leave the room and bring water. No money was spent and no gift was given. But that tiny gesture spoke loads to this teacher and he still tells that story.

tsukubai2

Here is a nice picture of me wearing kimono kneeling at the tsukubai cleansing my hands before entering the tea room.

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We have a winner!

It gives me great pleasure to announce the winner of the furo and kama set. It includes the kan (rings) and shiki ita (board under the furo).  Congratulations to Ana Martinez who answered all of the questions correctly in the contest.  I hope you use it and enjoy your studies for many years to come. You can pick up your prize the next time you come to class.

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Mid-May update, a Midorikai interlude

May 10
We had the annual tea plantation and manufacturing process field trip to Uji today. All the Midorikai students and second-year Japanese students woke up early to catch the train from Kuramaguchi station to Uji. We started at Marukyu Koyama-en for a tea plantation tour and fresh tea tasting. I’ve had their koicha before while studying in Portland and it is quite enjoyable and flavorful.
Picking tea on the tea plantation

Picking tea on the tea plantation

We took a tour around the fields where the tea bushes are growing and picked some new tea leaves under the watchful eyes of the tea plantation pickers (all older ladies). Then we were shown around the tea processing facilities and it was fascinating to see the traditional process as well as the modern adaptations. We ended the tour by drinking some bowls of excellent usucha with some matcha dango sweets. Our guide was Kiki, a Midorikai graduate originally from Chile.
The master taster of Koyama-en is selected at birth and therefore his pallet is kept “pure” with no strong foods: no spicy foods, no coffee, no garlic, etc…for his entire life! I don’t know if I could live without those three things. Not eating these types of foods keeps the pallet ultra-sensitive, they said. I bought some matcha soap since we can purchase their tea from their Kyoto shop.
Many people also wanted to stop by Nakamura Tokichi, so some of the students ate there during our lunch break. We had the prefix lunch menu of matcha noodle ramen and matcha powder sprinkled over rice. Dessert was matcha jelly. (Burp) It was all tasty but I was pretty burnt out from the matcha flavoring by then.
After lunch we walked down to Kambayashi Kinenkan and were served more tea and sweets before walking through the tea manufacturing museum they have there. The Kambayashi family has an excellent collection of famous tsubo (tea jars). Mr. Kombayashi himself gave us the tour. Makela-sensei did the translation for us.
Lastly we stopped by the Asahiyaki kiln. They create beautiful “fawn-spotted” pieces made from the very unique clay they have on the mountain next to the kiln. The new young master (the previous master passed away a few years ago and his son now runs the kiln) showed us the work room and the kiln. All the wheels are hand-turned while the potter sits on his knees at the same level as the wheel. The reason was, he explained, was so the body and hands stay still while forming the pieces, versus a kick wheel that moves the whole body. I would have loved to buy something there, but most of the tea utensils were in the $500+ league.
The Phoenix Hall at Byodoin

The Phoenix Hall at Byodoin. Inside the open doors is the beautiful Buddha statue and lovely paintings.

Some students wanted to see Byodoin and specifically the Phoenix Hall, which is an UNESCO World Heritage Site. It’s difficult to not get accustomed to seeing these things and places on a frequent basis that have such great importance to the people of Japan and the history of the human race, since many of the Japanese UNESCO locations are in or around Kyoto. Byodoin has an amazing Buddha statue inside this beautiful Phoenix Hall that is in the middle of this little pond. It has a small museum that has many historic pieces related to this National Treasure. The Japanese also rank their museum pieces as either an “Important Cultural Item” or “National Treasure” depending upon the importance of the piece. Very few items receive this distinction and it’s always worth having a second glance at something that has the label that marks it as extra special. Many museum collection tea utensils and items associated with the tea ceremony have these distinctions.

May 15
Today was Aoi Matsuri and so I spent most of the day on my bicycle travelling from place to place to see the procession. I’ve utilized some text from Wikipedia (for time’s sake) to highlight what the Aoi Matsuri festival is about:
The procession is led by the Imperial Messenger. Following the imperial messenger are: two oxcarts, four cows, thirty-six horses, and six hundred people, all of which are dressed in traditional Heian period apparel decorated with aoi leaves. The hollyhock (aoi) was thought to have been a protector against natural disasters. The festival originated during the reign of Emperor Kinmei (reigned CE 539 – 571) to appease the angered deities and pray for a bountiful harvest.
Aoi matsuri Ox cart

Aoi matsuri traditional Ox cart

The event always falls on May 15 and we were lucky that this year it fell on a beautiful Sunday. At 10:30 am the parade/procession departs the Kyoto Imperial Palace heading east on Marutamachi-dori. It then heads north and crosses the bridge to it’s first appeasement stop at Shimogamo Jinja. After a few hours there, the procession heads west on Kitaoji-dori to arrive at Kamigamo Jinja.
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Aoi matsuri traditional rider in Heian clothing

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