Midorikai interlude

Karla has agreed to write a few things for the blog during her year in Midorikai.  Here is the first installment:

Greetings!

My name is Karla and I am a student of Margie’s. I am lucky enough to follow in the footsteps of my sensei and attend the Urasenke Midorikai program beginning this April. I feel very grateful and honored to return to the program that she completed 20 years ago. She has kindly given permission to post some of my experiences to her blog so her readers can get an idea of the program today. Unfortunately, I don’t expect to be able to reply to comments but for specific questions, she can pass them along to me. I hope you enjoy reading about my adventures!

April 4

We are getting prepared for school to begin here at Urasenke. Prior to the opening ceremony we have many orientations and things to gather so we are prepared. There won’t be much time to do shopping once classes begin so it’s important to try to prepare as much as we can. Also, that’s just sort of how I am since I’m a school teacher by trade 😛 There is a hustle and bustle among all of the students here. I have three fabulous sempai and three doukyuusei, so there are four of us and three of them! We have been getting along well together and have already started to see the sights of Kyoto.

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Nijo-jo light up

 

This time of year is famous for sakura, cherry blossom viewing. If you walk along the Kamogawa (the famous river in the middle of Kyoto) you often see Hanami (blossom viewing parties) and many of the shrines have light ups, where you can go and view the cherry blossoms at night. There is discussion of taking a field trip on a weekend this month to Yoshino, a very famous location for its cherry blossoms. In fact, “Yoshino” alone makes a fabulous gomei this time of year because of it’s ability to evoke that seasonality. We have enjoyed many bowls of matcha and are SPOILED for fabulous wagashi. (Note: I will not be focusing so much recording the Wagashi here on this blog as some other Midorikai graduates, but I would suggest Drinking Liminality blog by a previous student, if you are interested).

April 9

This has been quite a busy week with the opening ceremony, welcome dinner, trip to Juko-in (one of the two sites for Rikyu’s grave) and a weekend field trip to Yoshino. All the events went well. I’m concerned about the ability to sit seiza already, but I hope that with some tips and tricks from sensei and sempai (and my doukyuusei), I can make it through without long-term injury to knees, ankles, legs and feet.

The opening ceremony had a little over 30 new students entering the four different areas of the school. We four new Midorikai students were part of it. It was awesome to be able to stand up when my name was called and bow to O’Iemoto-sama and his wife, who the gakuen affectionally calls O’Kusama. For this year we are accepted as part of their family.

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Opening ceremony

 

Yoshino was also a highlight, though the blossoms were slightly past their prime. A good gomei for this was “hana fubuki” on account of the many blossoms falling from the branches like a snow blizzard. Quite beautiful!

Yoshino hillside

Yoshino hillside

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New Midorikai student

IMG_3096Our own Karla just flew to Japan to start her year at Midorikai.  She already has met her classmates and sempai. Hanami under the weeping cherry trees.  We wish her the most wonderful year of tea.

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The sound of boiling water

P1000182One of Rikyu’s rules is to lay the charcoal so that it boils the water. I will not be talking about the charcoal, today, but the boiling water.

There are no clocks in the tea room, the kama is one of your timing devices. Depending on how you lay the charcoal — farther apart, the air gets in and the fire burns hotter faster — closer together, there is less circulation, and the longer it takes the kettle to come to a boil. By experience, you want to adjust your timing so the water in the kettle is at just the right temperature when you are making tea.

In the tea literature, there are different stages of boiling water, including poetic descriptions of the size and frequency of the bubbles as the water comes to a boil. When you are boiling water in an iron kettle with a lid on it, you cannot see the bubbles as the water comes to a boil.

In a lecture at Midorikai, Tsutsui-sensei gave us a description of the sounds of boiling water.

At the beginning, when you put the kama on the fire, the water is cold and kettle is wet. At this stage it is silent. You may hear slight hissing as the water is evaporating from the surface of the kama, but then the kama is silent.

As the kama heats up, you will hear the beginnings of occasional sounds (the equivalent of crab eyes bubbles around the rim).

The next stage, he called to nami, or the sound of distant waves. The kettle is heating up and you can hear something coming from the kama like the sound of distant waves.

Next, gyo gan, (the equivalent of fish eyes – larger bubbles coming from the center of the kama) the sounds are getting louder and closer together, more regular.

At the next stage, kyu in mimizu, he called worms crying. Sometimes you can hear a squeaking from the kama which is what I think this means. He likened this stage to the string of pearls bubbles coming from the bottom of the kama to the top.

The next stage is what we are familiar with, matsu kaze or the wind in the pine trees.

And then raime or thunder rolling, the kettle is at full boil, and the steam is escaping from the lid.

Koicha is made perfectly at 80º C (matsu kaze), and usucha at about 70º C. If the kettle is boiling, you can always add water from the mizusashi to adjust the temperature, but if the water is not hot enough, you cannot turn up the charcoal to make the water hotter.  So please pay attention to the sound of the water in the kama as it boils.

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Hatsugama 2016

This year for Hatsugama we changed things a little bit.  Instead of many small seki, we had one large group event.  Our little group has grown up and we had a lot more people to serve.

This year of the fire monkey and the chokudai is hito or person.

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Buffet style luncheon and then koicha and usucha were served.
Thank you all for attending.

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Issoan Tea School Hatsugama
January 17, 2016
Renewal

The Great Morning:
Winds of long ago
Blow through the pine trees.
~Onitsura

ENTRANCE Welcome table, guest book
MACHIAI Sumitori and Year of Monkey display

HONSEKI Jiku Souju sennen no midori ?????, A pine tree is green for a thousand years

Hana Seasonal flowers

Hanaire Ceramic, representing charcoal bamboo, by Richard Brandt

Kama Ubaguchi style
Kashiwa, oak leaf design
Made by Keiten Takaheshi, Japanese Living National Treasure

Ko Ume gaka, scent of plum, Shoyeido

Kogo Monkey, from the collection of Minako-sensei

Tana Take Daisu

Kaigu Matching set in celadon
KOICHA Omogashi Hanabira mochi

Koicha Seiun, from Ippodo

Chawan Shimadai, nested bowls lined with gold and silver foil

Chaire Made by potter Randy Burks, Utah

Shifuku Ho’o hana mon kinran

Chashaku Koushin, Renewal, made by Genko

USUCHA Higashi Assorted

Usucha Ikuyo no mukashi, from Ippodo

Natsume Black lacquer
Matsu karakusa, pine arabesque makie

Chashaku Kotobuki (Auspiciosness, celebration) by Zuiho

Omojawan Kyo yaki, gold bamboo

Kaejawan White raku

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The taste of tea

MatchaSome people think of Chanoyu, the Japanese tea ceremony, is more about the ritual and not about tea at all. As a student and teacher of the Japanese way of tea, it is sometimes hard to explain that the taste of tea is every bit as essential to the tea ceremony as it is to those who gather for leaf tea tasting. Many years of study and practice go into holding a formal tea gathering, but in the end, the taste of the tea is what it is all about.

We use matcha, powdered green tea in Chanoyu. The tea plants are grown under shade and only the tenderest new leaves are handpicked. Within minutes the leaves are steamed to stop oxidation and carefully dried. Then the stems and veins are removed before the resulting flakes are ground with special stones to a very fine powder. It takes as long as an hour to grind 40 grams of tea. Moving the stones faster causes too much friction and changes the taste of the tea. The tea is stored in the flake form and ground when ordered from Japan.

Keeping matcha fresh is more difficult than with other teas. Because it is ground very fine, it oxidizes very quickly. When it comes in a vacuum packed can, I keep mine in the freezer for up to three months. Once it is opened, though, it can keep in the refrigerator for about 30 days. I double bag mine so that the matcha doesn’t pick up off flavors from other foods in the refrigerator. You will know that the matcha is fresh by its brilliant green color. If it is dull, or olive color or turning to brown, it has oxidized and is better put into cooking than for drinking. And I always sift it before whisking it to eliminate graininess and lumps.

Tea kettleWhat some people don’t know is that matcha comes in different grades. The lower grades of matcha are used for cooking and as ingredients in baking and flavorings. Ceremonial drinking matcha are higher grades.

There are two kinds of matcha tea in Chanoyu, usucha or thin tea and koicha, thick tea. Usucha is matcha whisked to foam in individual bowls. Koicha uses more tea powder and less water and is drunk from a communal bowl. The consistency of koicha is like that of heavy cream. Because the tea is more concentrated in koicha, the flavor is more intense, and koicha is a higher grade of tea being somewhat sweeter and more complex.

Historical perspective in tea tasting

Zen gardenWhen tea first came to Japan from China, it was a beverage viewed as medicine for a number of ailments. The preparation of matcha, powdered tea, was in use in China at the time. The priest Eisai (1141- 1215) founder of the Rinzai sect of Zen Buddhism, brought the first tea seeds to Japan and gave them to the priest My?e, who planted them at Tagano’o. These were the first tea seeds to be cultivated in Japan. He wrote the Kissa Yojoki, to promote the spread of drinking tea. Monks began to cultivate and drink tea as a way to stay awake during long periods of meditation. It is from this period of time that much of the ritual of tea drinking comes.

By the early Muromachi (1336-1573) tea drinking had become widespread among Buddhist priests and military aristocrats who had developed a game or contest called t?cha. The host would prepare several types of tea and the guests would compete to see which types of tea were being presented. One specific contest was if the guests could determine which was the true tea (honcha) that is, the tea grown in Tagano’o. These contests were quite lavish affairs with Chinese luxury items on display and costly and fantastic prizes for the contestants.

Today we have a group exercise related to these contests called chakabuki, where 5 bowls of koicha are made. The first two are named teas, and the remaining 3 are the same two mixed with another tea. The guests try to guess which are the two named teas and which is the mystery tea. All of the answers are recorded and the one who comes closest wins the record of the contest.

Cha Zen ichi mi

zenchaichimiIn reaction to the lavish displays of the aristocrats, Sen no Rikyu and others tried to move tea drinking back to the realm of Zen Buddhism. Rikyu in particular became very influential as tea master to the Shogun Hideyoshi (1536-1598) who unified Japan. The famous phrase “Cha Zen ichi mi” is attributed to his grandson Sen Sotan (1522-1591). The phrase means “Tea and Zen have One Taste.”

The aesthetics of the tea ceremony are Zen aethstetics. The epitome of Chanoyu is wabi, the concept of rustic, austere and simple beauty. Zen phrases are displayed in the tokonoma (alcove) and the kaiseki meal is based on Zen food preparation. There are many other instances you will find Zen in the ritual of Chanoyu.

Poetic naming of matcha

Matcha used in Chanoyu usually has a poetic name. Part of the prescribed dialog in the drinking of koicha, the guest asks the host the name of the tea and where it is from. Some examples of poetic names are: Kinrin (golden wheel), y?gen (profound grace and subtlety), kirisame (misty rain).

TetsubinUsually, but not always, if the words “no mukashi” are added to the name it is koicha, and if “no shiro” is added, it is usucha. Thus, “tama no shiro” (jewels) is a thin tea, and “shoka no mukashi” (pine flower) is koicha. There is also designation called “okonomi” or favored style. For example, “shoka no mukashi” is okonomi, or favorite of Zabosai, the current grand tea master of the Urasenke school.

Like spirits or wine, matcha can be blended from several sources or come from a single estate. Different producers have different reputations, tastes and flavors. That is why asking where it is from is important. My sensei loved Ippodo tea. It has more of a sharp astringent taste. Some others, such as Koyamaen have a milder, sweeter taste. Some matcha has more of a seaweed flavor, some more grassy or leafy taste. With experience, one can discern these tastes.

The ritual of making tea

I have been drinking matcha for more than 30 years. I drink matcha in the morning rather than coffee and I always make it the same way — you could say it is a ritual. I line up all of my tea making equipment the same way, wait for the water to come to the right temperature, warm the bowl, add the tea and whisk it. I have my sweet and I drink the tea sitting down, never standing up. And tea whisked for me by someone else always tastes better than when I do it myself.

In the tea room for Chanoyu, there are hundreds of procedures for making tea, but the basic elements are bringing in the tea utensils you will need to make tea, purification of the utensils, making and drinking tea, and the closing — removing the utensils from the room.

These procedures have been refined since Rikyu’s time. Over the last 400 years it has evolved and refined into making tea in the most beautiful and efficient way, taking in the principles of Zen, and creating the most tranquil atmosphere.

Many people ask if the host ever drinks tea with his guests. The answer is very seldom. And the reason is that the host and the guests have distinct roles. The host role is to serve, to make the very best tea possible for the guest. The guest role is to receive and appreciate everything the host has done to make the moment of drinking tea possible. When each person plays his role the experience that is created can be moving and emotional.

Chanoyu and modern life

Tray style I have been asked many times why I study Chanoyu. This ancient ritual has many relevant things to teach me about myself and my place in the world. One example: multitasking is not a virtue in Chanoyu. Making tea is a complicated procedure and sensei says, “Complete this moment before going on to the next.” My own poor brain begins to shut down if I try to multitask while making tea. Even talking and making tea makes me freeze up. Either I stop making tea, or I stop talking. It is difficult to do both at once. There is another reason multitasking is not held in high esteem in the tea room. It prevents you from being in the present. It prevents you from concentrating on making the very best tea for your guests. “When you make tea, make tea. When you are drinking tea, drink tea – nothing more.”

Twists on matcha

Once matcha was only known outside of Japan to practicioners of Chanoyu. Matcha today is becoming more available and accessible. It has capitalized on the health benefits of green tea and you can purchase matcha at health food stores and over the internet.

Besides matcha in ice cream, you now see matcha lattes (matcha with sweetened milk), matcha ice, matcha parfait, and matcha in any number of baked goods. You can even buy a melon flavored matcha latte at ubiquitous coffee shops. Matcha seems to be catching on.

The taste of tea

chawanIn conclusion, I would like to quote my good friend, Morgan Beard, Urasenke Chanoyu instructor in Philadelphia,

“Probably the most important thing that the host does to affect the taste of the tea is simply to create an atmosphere of tranquility in the room. One of the purposes (maybe the main purpose, depending on your point of view) of all the ritual surrounding the preparation of tea in chanoyu is to encourage the guests to relax and open their senses. Matcha tastes completely different in a tearoom than it does if you just whisk a bowl in your kitchen; the atmosphere, the sensory impressions, the person’s state of mind, everything about chanoyu contributes to the main event, which is the moment that the first sip passes your lips. When we talk about the taste of tea, usually we’re talking about the literal flavor, but I think that any tea person would agree that the real taste of tea is in the heart, and not on the tongue.”

*NOTE:  I wrote this article for publication a few years ago, but it was never published.

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