‘Tis the Season

Yesterday was Black Friday, the busiest shopping day of the year. Today is small business Saturday and Cyber Monday coming up.  It is officially now the shopping, buying and consuming season until the end of the year.

When my husband and I were first married, I asked him not to buy me things for occasions like birthdays and Christmas.  Instead, I asked him to buy me experiences.  He has been forced to be creative and yes, he has delivered in giving me experience gifts, from a home catered meal to a private concert, to season theater tickets.   He also has arranged for me to dig a ditch with a back hoe and a consultation with a master gardener. I have been taken the Highland games and a trip to the Grand Canyon.  He has bought me sewing classes and a chance to race a car on the track at Portland International Raceway.

We have agreed this year to give only one gift and shop local, and by the way, extra points for experience over things.

Perhaps for this year, you too can give the gift of experience for Christmas.  There is a new Introduction to Chado class beginning in January.  You can also give the experience of a Japanese Tea Ceremony by Issoan Tea School.  For more information, visit Issoantea.com.

 

 

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Wagashi basics, shiro an

Shiro an is a basic ingredient for making wagashi, or Japanese tea sweets.  This white bean paste can be colored, hand formed, molded and manipulated and used in many. many different ways to make different kinds of wagashi.

When I was learning to make this, Minako sensei said to make a big batch, because it takes too much work to make just a little bit.  You can divide up the bean paste into smaller, usable batches and  freeze them in individual bags, then thaw just a smaller amount for what you need.  It took me all day to make this batch.

Good bean paste starts with good beans.  I use organic lima beans.  You can use any kind of white beans to start.  Sort and discard any broken, misshapen or discolored beans.  Put them in a large pot or bowl and cover with cold water and soak them overnight.

 

The next day, when the beans have softened, take the skins off.  I also remove the little nub or sprout because it makes for smoother bean paste.  You can certainly compost the bean skins, or put them in the blender and use them for filler for bread, meatloaf etc.

 

After you have removed all the skins, put them in a pot and cover with cold water and bring to a simmer over medium heat

As the beans come to a boil, skim off the foam that comes to the top.  When the water comes to a simmer (not full boil), change the water by dipping it out with a plastic container and replacing it with fresh cold water.  Do this 3-4 times or until the water is no longer discolored.  Bring to a simmer, dip out the hot water, replace with cold water.

Continue to simmer until the beans fall apart.  This may take longer than you think it will.

I then pour the bean slush into the blender and pulse it a couple of  times to make sure all the beans are broken up and smooth.  You can also use a food mill, sieve or food processor.

Pour the slush back into the pot or a large bowl and let the bean paste settle.

You will see the two layers begin to separate after about 10 minutes. Pour off the top layer of discolored liquid, and refill the pot with fresh cold water.

Let the mixture settle and pour off the top layer.  Do this many times.  How many?  Until the top layer becomes clear.  Sometimes I have done it as many as 10 times.  The paste settles faster as the toip layer is poured off with lighter material.  When the top layer is clear, put a muslin jelly bag over a strainer in the sink, (or I just use a clean flour sack towel).  Pour the bean mixture into the bag, drain and then squeeze out or wring as much water as you can.  The more water you can squeeze out, the less time the next step will take. The pste should be dry. Good, now you have unsweetened bean paste called nama an and we are half-way done.

Weigh out the bean paste and return to the pot (without the jelly bag or flour sack towel).

I don’t like my sweets too sweet, so I use one third of the weight of the bean paste and measure that amount of sugar.  Put all of the sugar and half of the bean paste in the pot and heat over medium-low  heat stirring constantly.  As the sugar melts, the mixture will get very thin.

When the mixture begins to boil, add the rest of the bean paste.  Keep cooking over medium heat, stirring constantly to prevent sticking and burning.  It will begin to thicken

Cook over medium heat until the mixture mounds nicely and is not sticky to the touch.  It looks like mashed potatoes.

The moisture content will var accoring to the ultimate use.  Dryer for molding, stickier for kinton.

Remove from the heat and distribute in small mounds to a well-wrung, damp, lint-free dish towel and cover to cool.

This white bean paste can be frozen for up to 3 months if double wrapped and sealed tightly.

When I thaw the bean paste, I put it in the microwave to thaw and warm it.  To make it pliable and easier to work with, knead in a damp dish towel.  You can then color it, form it, add other ingredients and use with other ingredients to make you favorite wagashi.

 

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Sensei Says

The student says, “I am very discouraged about my tea study.  What should I do?”

Sensei says, “Encourage others.”

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Introduction to Chado

Make your reservations for the Introduction to Chado Class, it begins Friday, January 11.  Space is limited

Call Margie 503-645-7058

email ma****@*******ea.com

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Movement within the tea room

One of the things Machida Gyotei sensei taught us about movement within the tea room is that when you are wearing kimono, only your feet are showing, so you want to make sure that you are walking, turning, sitting and standing in a way that doesn’t look awkward and call additional attention to your feet.  Here are some of the points he emphasized:

  1. Walk in the center of the tatami
  2. Don’t drag your feet, but lightly skim the tatami to make a slight swish when you walk
  3. You should walk in the tea room as if you were trying not to kick up dust
  4. When sitting down, make sure your toes and heels are together
  5. Likewise when you are standing up, make sure your heels are together so people behind you can’t see all the way up your kimono.
  6. Stand up as if a string was pulling on your head straight up
  7. When turning from the temaeza, move your heel back at 45 degrees but don’t separate your feet too much
  8. Sit in front of your guest to serve sweets
  9. Move slightly to the side before standing up in front of someone.  Slide straight back with one foot before turning away

One of the reasons we don’t step on the black lines separating tatami mats is because in olden times, tatami did not cover the entire floor.  Only nobles sat on tatami.  So there was a change in elevation between the tatami and floor.  If you stepped on the black line, your foot would be partly on tatami and partly on the floor, very awkward.

Most of the movement within the tea room makes sense, and as Machida Gyotei sensei says, “try your best to follow these guidelines, but it won’t be the end of the world if you miss something.”

 

 

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